A Sneak Peek Into Germanier’s Fall 2025 Couture Collection
Germanier just flipped the script on couture. The Fall 2025 collection exploded onto the Paris runway with a mashup of Olympic energy, Eurovision drama, and all the glitter he could throw.
From the first look to the last shimmer, Germanier made it clear: this is not about being pretty. It is about power. Silhouettes twisted like flower petals, clung to the body like armor, or shimmered in chrome. It was a collision of sport and spectacle, a couture fever dream with a pulse.
“Recycled water bottle dress” was one of the standout collections!
Germanier Plays With Form, Texture, and Shock Value
Forget basics. Germanier kicked off his show with iris-shaped dresses that felt like blooming armor. The pieces moved like living sculptures, catching light and bending shape with every step. Metallic fabrics and body-hugging beadwork screamed drama and movement all at once.
Then came the balloon looks, and things got wild. Three massive designs stole the spotlight. One burst in phallic reds, one looked like a carnivorous plant, and one transformed Hello Kitty into a full-on fashion statement.
One model strutted in silver glitter alone, wearing nothing but a chunky bead miniskirt. It nodded to his roots, but louder, bolder, rawer. It was fashion stripped bare, literally and conceptually.
Then came the motocross moment. Picture bedazzled biker suits and feather-topped helmets riding down a runway. They blended hyper-masculine grit with surreal, campy glitz.
Germanire / IG / Germanier’s collection merged athletic energy with diva extravagance, inspired by his recent work for the Olympics Closing Ceremony and Eurovision.
All Black, All White, Still All Germanier
In a shock move, he ditched his usual rainbow palette for two stark looks. One, pitch black and sculpted like armor. The other was a massive white gown made from recycled Japanese paper. They stood out in a sea of sparkle, proving restraint can be just as loud when done right.
But even these moments kept to his signature: drama, purpose, craft. The paper gown rustled like thunder with every step. It wasn’t just couture. It was a commentary on waste, reinvention, and beauty in scraps.
Plus, melted plastic bottles formed bodices. Fabric leftovers, including bits from Beyoncé’s past Oscar de la Renta gown, became couture patchwork. Old VHS tapes from his childhood? Now they are fashion trends.
Brazilian artist Gustavo Silvestre and a team of ex-inmates crafted raffia pieces by hand, which was 700 hours of crochet labor. Other pieces came from workshops in Vietnam, the Philippines, and India. This wasn’t charity work. It was a global collaboration with real design depth.
Even the Set Sparkled With Purpose
The bubble-covered set shimmered like a disco dream. But it is not going to waste. Every piece of that iridescent backdrop is getting recycled into sequins for future designs. Germanier doesn’t let beauty die on the runway. He reworks it. Keeps it alive.
Germanier / IG / Jewel-encrusted motocross outfits with feather-topped helmets added surreal camp to the collection.
The front row was packed. Vogue100 execs mingled with fashion insiders at a pre-show cocktail bash at the Ritz. Mannequins wearing Germanier’s older pieces stared down at champagne flutes and camera flashes.
But it was the VIPs in raffia Sanrio gear that got the biggest reactions. Hello Kitty and Kuromi didn’t just sit pretty. Their plush avatars wore full looks, handbags included, proving once again that Germanier doesn’t draw lines between pop and couture. He breaks them.
Reviewers called it a “fever dream,” but one with brains behind the glitter. There were no illusions here.